“The strings and harpsichord of the Kölner Akadamie under Michael Alexander Willens are compelling throughout, combining with Lamb’s virtuosity to create a recording of the highest order.”
British Flute Society ‘Pan’ Magazine
“Eric Lamb überzeugt mit einem warmen und nuancenreichen Klang der von ihm benutzten Holzflöte. Die mit einem breiten Repertoire aktive ‘Kölner Akademie’ trägt mit fließenden Klängen das ihre dazu bei, diese Darstellung zu einem Hörgenuss zu machen.”
PIzzicato
'Lamb performed this solo on bass flute, and both his impeccable performance of the piece and the piece's beauty and grace were equally noteworthy' Gaspars Block. Chicago
"...tonal beauty and exacting technique shown by the flutist Eric Lamb in Cage’s Solo for flute from Concert for Piano and Orchestra...." New York Times
"In Phyllis Chen’s Beneath a Trace of Vapor, the relationship between Eric Lamb’s live flute and the many pre-recorded flutes (which were heavily filtered and distorted) felt downright ghostly, like a haunted forest on some alien world." Chamber Musician Today
"Lamb’s arsenal of breath effects and warped glissandi were truly spectacular..." Live Review. Consequence of Sound
“spontaneity and sharp-wittedeness” – New York Times
“played with panache…” New York Times
"Flutists Claire Chase and Eric Lamb were on spectacular display in Loops for Flute, the opening piece. Chase and Lamb performed fiendishly difficult ascending, twirling … loopy lines in tight intervals, in perfect unison; several passages evoked giant gusts of wind picking up leaves that then twirled in the air." - Jennifer Melick. Sunday Arts Blog
"The enthrallingly beautiful latter piece was given a spellbinding performance by ICE, the players, notably flutist Eric Lamb, producing exquisitely shaped tones which were then processed to the point of shattering via electronic means. The dazzling, unearthly colors are balanced by enough silence to make the anticipation of each succeeding event both suspenseful and soothing." - The Big City
British Flute Society ‘Pan’ Magazine
“Eric Lamb überzeugt mit einem warmen und nuancenreichen Klang der von ihm benutzten Holzflöte. Die mit einem breiten Repertoire aktive ‘Kölner Akademie’ trägt mit fließenden Klängen das ihre dazu bei, diese Darstellung zu einem Hörgenuss zu machen.”
PIzzicato
'Lamb performed this solo on bass flute, and both his impeccable performance of the piece and the piece's beauty and grace were equally noteworthy' Gaspars Block. Chicago
"...tonal beauty and exacting technique shown by the flutist Eric Lamb in Cage’s Solo for flute from Concert for Piano and Orchestra...." New York Times
"In Phyllis Chen’s Beneath a Trace of Vapor, the relationship between Eric Lamb’s live flute and the many pre-recorded flutes (which were heavily filtered and distorted) felt downright ghostly, like a haunted forest on some alien world." Chamber Musician Today
"Lamb’s arsenal of breath effects and warped glissandi were truly spectacular..." Live Review. Consequence of Sound
“spontaneity and sharp-wittedeness” – New York Times
“played with panache…” New York Times
"Flutists Claire Chase and Eric Lamb were on spectacular display in Loops for Flute, the opening piece. Chase and Lamb performed fiendishly difficult ascending, twirling … loopy lines in tight intervals, in perfect unison; several passages evoked giant gusts of wind picking up leaves that then twirled in the air." - Jennifer Melick. Sunday Arts Blog
"The enthrallingly beautiful latter piece was given a spellbinding performance by ICE, the players, notably flutist Eric Lamb, producing exquisitely shaped tones which were then processed to the point of shattering via electronic means. The dazzling, unearthly colors are balanced by enough silence to make the anticipation of each succeeding event both suspenseful and soothing." - The Big City